Wednesday, October 15, 2014

One Year Later, An Empty Chair

It's been over a year since I started The Target Practice Project, and what a difference a year makes. New to me? To this? The Project is a global collage collaboration based on the use of a single core image--a 1960s Sears archery target, piles of which I discovered in my father's garage when cleaning out his house after he died in June of 2013. The Project didn't come about as a sweet memorial to a loved one but rather as a means of seeking truth about a life gone awry. My life. If you don't dig around for the truth, all the worst stuff stays in your mind. Worse yet, it stays in your imagination, eventually cratering into a deep pit of murky influence that threatens to drown all the good things that come your way. Being raised by a narcissist will do that to you, and even after your particular narcissist is gone, his or her impact lives on.

One of the first pieces to come into the Project was this one by Michael Tunk, a prolific collage artist out of Alameda, California. Entitled "The Narcissist," this is one big piece both in physical size and in impact. It's also a literal piece, a work of solidarity reflecting what I had written about the Project at its inception. (If you're playing catch-up, have no fear: Links to everything appear at the bottom.) I had seen "The Narcissist" online in the various Project collage groups, of course, but it wasn't until a few weeks ago that it made its way home to me here in New York, with a casual suggestion from Michael that I might want to put on my collaborator's hat and add some of the original 1960s target fragments to the image. "Of course," I said.

"The Narcissist," by Michael Tunk, one of the first collages to come into The Target Practice Project in 2013

The NEW Narcissist," a rogue collaboration by Michael Tunk and Laura Tringali Holmes, 2014
Like I said, a lot can change in a year. One year and a few months after the death of my father, after bailing out a lot of my personal crater's dark muck one wee coffee can at a time, I realized that, miraculously, I had found a little more than a modicum of peace. I had, again miraculously, recaptured my humor. Since Michael had included guns, I made a pun on the word "range" by including an appliance ad from an old edition of House Beautiful. Narcissists do so love gain without pain, so what better tribute than to give my own narcissist a shot of "glamour" but "without the expense"? I added the original 1960s target fragments that Michael had envisioned, abrading one into almost-transparency to suggest a letting-go. And then, atop that abraded, letting-go target, I put in a little red chair.

That little red chair's for me. Notice how I'm not sitting there anymore.

Wednesday, August 13, 2014

Fred Free--on Losing and Finding

From the notes of Fred Free, USA

February 12, 2014--For whatever reason, I had been thinking lately how awful it would be to be a visual artist and to lose your sight. So in the spirit of blind target shooting (http://www.headrush.in/outbound/activities/target-shooting/), I chose the bits for these pieces with my eyes closed (previously cut bits from my categorized boxes). I turned the pieces over, applied glue with my eyes open, closed my eyes again, attached the pieces to the targets, and saw the results when I was done. What I lost in compositional control, I gained in simply experiencing this Pin-the-Donkey-on-the-Target process. I don't want to be losing my sight anytime soon, but in a strange way, and all results aside, this was truly an eye-opener.


Untitled 1, 2014


Untitled 2, 2014



Saturday, July 26, 2014

Michael Toti

 
Michael Toti, USA
 
 
Hollywood Fan

Target Abstract, 10 x 14

Untitled
 
 
Untitled
 
Traffic Circle
 
Who's the Target?
 
Untitled
Untitled


Monday, June 9, 2014

Judy Tillinger and Evan Clayton Horback

 
Judy Tillinger, USA
 

target practice A R
 
Evan Clayton Horback, USA
 
Untitled Cut and Paste 1

 
Untitled Cut and Paste 2
 
 
Untitled getaway plan
 
Untitled instructional collage
 


 



Monday, May 12, 2014

Aziz Qchini and Maxime Wolff

...so strong....
 
Aziz Qchini, Morocco
 

 
 
 
 
 
 
Maxime Wolff, France
 
Eternity Road
 
Hidden Target
 


Tuesday, April 8, 2014

Louise Bronx

...gets under your skin....
 
Louise Bronx, France
 
Untitled
Untitled
 
what
 
Untitled
 
Untitled
 
exécution
 
bon passage à tous pour
 

Saturday, March 29, 2014

Leslie Morgan and Carol Johson Riley

...who could resist?
 
Leslie Morgan, USA
 
Esther Target
 
Carol Johnson Riley, USA
Dive In
 

Saturday, March 22, 2014

Steven Hartman and John Wyble

...two keenly succinct target viewpoints....
 
Steven Hartman, USA
 
Target #10, paper collage with transparency
 
Jon Wyble, USA
 
"Run For Your Lives," paper collage with transfers

Thursday, March 13, 2014

Random Cowboy and Emily Ross

...modes of transportation (and more), target-wise....
 
Random Cowboy, USA
 
Style No.7805

 
Emily Ross, USA
 
Untitled 2014
 
 

Wednesday, March 5, 2014

Eric Edelman

...targets re-imagineered, digitally....
 
Eric Edelman, USA
 
A Case of Botanical Targets


An Elementary Course


Shooting Gallery


 
As Above, So Below

 
Targeted Victims
 
The Marksman's Conscience
 
The Rivals
 

Saturday, March 1, 2014

Travis Medford and Kirke Aerendial

Travis Medford, USA



Kirke Aerendial, Croatia
 
Deconstruction of the Target
 
 
Target Shock
 

Thursday, February 20, 2014

Him and Her and She and He

Collaborations within a collaboration....
 
Zach Collins/USA (start) and Aziz Qchini/Morocco (finish)
 

Untitled


Michael Tunk/USA (start) and Zach Collins/USA (finish)

Target Market
 
Dan Daughters/U.K and Isabel Reitemeyer/Germany




Terry R. Flowers/USA and Ted Tollefson/USA
This is a stick-up


Zach Colllins/USA (start) with Karin Josephine/Indonesia (finish)
Bubbly Fire
 
Melinda Tidwell/USA (start) with Zach Collins/USA (finish)